I'm very happy with the album. The sound quality seems excellent, with good definition and stereo separation, and the voices are well-balanced. I can hear the two cornets as a blend, but I can also "focus down" and hear my own performance, even in the full ensemble parts. The individual performances of the other musicians are wonderful. For my own part I think I managed not to embarrass myself too badly.
Here's an excerpt, the final out chorus from "Ostrich Walk". (Sorry about the cheesy Ken Burns video, but this blog site won't let me post pure audio clips! The artwork is the cover of the CD.)
Purchasing the CD
A few folks have asked, so here's how to get it. (Rest assured, I will not be offended by anyone who doesn't rush to buy a copy. This is a niche music; not everybody loves it like I do!)
The CD is currently available only by mail order. There are a couple of Web sites that offer some of the band's other albums, and I'm hoping they'll have this new one soon. If so, I'll post a link to them. In the meantime, if you want a copy you'll have to do the following:
Make out a check for $16.00 to "Merry Makers Record Company". Send it to the following address, and specify that you want "Ted Shafer's Jelly Roll Jazz Band: New Orleans Jazz -- 50th Anniversary". Be sure to specify this product code: MMRC-CD-38, and of course, don't forget to include your postal address. The $16.00 includes shipping within the continental U.S. If you are not in the U.S., the price is 19.00 USD and includes overseas shipping. Here's the address:
Merry Makers Record Company
926 Beechwood Circle
Suisun City, CA 94585
About the music
This is a two-cornet band in the style of Joe "King" Oliver's Creole Jazz Band (KOCJB), which played in Chicago in the early 1920's. I like to think of the KOCJB as the band that was so hot, they had Louis Armstrong playing second cornet. The Jelly Roll Jazz Band is also influenced by Lu Watters' Yerba Buena Jazz Band, which was the first revival (post-1920's) traditional jazz band, and which established the West Coast style of trad jazz.
My cornet partner in this band is Leon Oakley, possibly the finest living trad jazz cornetist. It is tempting to remain silent in order to claim, by implication, more of the credit than I deserve for the cornet work. But the vast majority of the lead cornet parts and cornet solos are Leon's. (And with good reason!) I mostly play the second (harmony) cornet parts. I do get some solo choruses and breaks, and occasionally an arrangement would call for us to switch parts so that I play lead for a while.
Once you're used to Leon's powerful and assured playing, it's pretty easy to recognize my own lesser efforts. However I will mention that on one number, "Chimes Blues", I do play lead throughout and also play the cornet solo. I was happy with the way that one came out. Also on "King of the Zulus" the first 16-bar cornet solo is Leon's, and the one immediately following is mine; and I play lead on the first chorus following those solos. Leon returns to lead the final out chorus.
Personnel: Leon Oakley and Rick Holzgrafe, cornets; Glenn Calkins, trombone; Pete Main, reeds; Ray Skjelbred, piano; Tom Downs and Howard Miyata, tuba; Bert Thompsen, drums; Ken Keeler and Ted Shafer, banjos. (This band has two cornets and two banjos, but not two tubas! Tom Downs played tuba for one of the two recording sessions, and Howard Miyata played the other. The liner notes specify which tunes each of them played.)
Tune list:
- Ostrich Walk
- Aunt Hagar's Blues
- Alligator Hop
- Terrible Blues
- Tiger Moan
- Snag It
- Grandpa's Spells
- King of the Zulus
- I'm Going Away to Wear You Off My Mind
- Chimes Blues
- Buddy's Habit
- Of All the Wrongs
- Krooked Blues
- New Orleans Stomp
- Jazzin' Babies Blues
- Tears
- Room Rent Blues
- Midnight Mama
- Sorry
- Bay City
- Here Come the Hot Tamale Man
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